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‘Love and Monsters’ Review: Dylan O’Brien Leads a Fun and Imaginative Post-Apocalyptic Romp “Love and Monsters” is the rarest kind of movie these days: A funny, original, genre-mashing adventure made with big studio money. “Love and Monsters” Michael Matthews’ “ Love and Monsters ” is the rarest kind of movie these days: A fun, imaginative, genre-mashing adventure that was made with a modest amount of big studio money and destined for a theatrical release despite not being adapted from a comic book or carried by a major star. Well, maybe “destined” isn’t the right word, as a certain pandemic (you know the one) came along and compelled Paramount to scuttle a multiplex release in favor of a VOD play. And while it might be legally accurate to say that “Love and Monsters” isn’t based on pre-existing material, it couldn’t be more obvious that it was conceived by someone who saw “Zombieland” on TV one night and thought to themselves: “I could do it better. And with bugs.” Lucky for us, they